Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Monday, February 23, 2015

American Sniper

American Sniper - 132min - R

Sitting in the theater with the soundless credits rolling I had time to collect my thoughts and put down on paper some of the things that were going through my head. This movie focuses on one person's journey through the war from his perspective. We see his transformation from idealistic young kid to hardened war veteran. We can see the price that our service members and their families pay for their service. But I have to ask myself: what does this film inspire me to do? What does it tell us about the war that we didn't already know? This film is a yellow light. As a biography it highlights the man Chris Kyle but only the events during the war and his death. They are selecting only the history that supports the narrative of Chris Kyle, American Hero.

Chris Kyle (Bradley Cooper) is a sniper for the US Navy Seals. The story takes us from recruitment, to deployment and even him marring his wife (Sienna Miller), though his struggle with multiple deployments and his personal life when he returns home. After the deployments he uses his experiences to help veterans acclimate back into civilian life.

I was pleased at how much they focused on just the main character's achievements and how he helped people when he got back. His journey is fascinating and it's important to tell it. His struggles illustrate how hard it is on our veterans and even if the story ends in his death it shows how hard it can be to re-assimilate onto civilian society.

I wonder if the director (Clint Eastwood) will tell this story from the other end as well. In war there are two different perspectives. Watching the story of the other sniper, an Olympic medalist returning to his home only to be recruited in the war, would be a great companion to this film. His films Flags of our Fathers and Letters from Iwo Jima told the war from two sides. Those films did a great job of give us a well-rounded perspective of each side of the war.

I don't think the other movie will ever be made because of the director's politics and because the viewing public would never be ready for it. Our wounds are still too raw to be objective enough to see any other side.

This movie is a political rorschach test. Those who are very right wing are going to see this as a pro American film in the war. The left wing crowd will use this as another example of how bad the war is. But the movie itself does a good job keeping to the middle of the road. Taking no side on the events surrounding the main character gives it a sterile feel leaving the viewer to fill in the motivations that speak to them.

The few nitpicky things that took me out of the moment were the use of CGI to give the blood more of an effect. It unfortunately looks poor and didn't enhance anything but my feeling like I was at a movie. The baby dolls that they used also took me out of the importance of the dialog that was being said. It was again something that took me out of the story at what should have been some very engaging material.

What do you think about the film? What did you walk away with?

Monday, December 5, 2011

J Edgar



J Edgar – 137 min - R

J. Edgar Hoover is a unique historical character that can be easily overlooked. He was credited with developing the FBI and organizing criminal investigations to include forensic investigation. With all of the good things he did for us, he was also a focus of scandal and a prime example of how absolute power corrupts absolutely. He was rumored to have surveillance on many political figures and would use them as blackmail material.

Does the movie, J. Edgar, mirror the facts of his life? I can’t say I don’t know more than what I have read on Wikipedia. Is this an intresting movie? Yes, but from a purely academic standpoint. Clint Eastwood has an eye for making movies with a clear and balanced point of view. This movie is one to see from a historical standpoint. Interesting but not entertaining, this move is a yellow light and I will present my evidence in the following review.

J. Edgar Hoover (Leonardo DiCaprio) grew up with his mother, Anna Marie Hoover (Dame Judi Dench). As an eager new employee at the Department of Justice, he was given the chance to develop the new FBI after his participation in a successful raid on some Communist dissidents. Using this opportuniy he grew his department and his influence. He used his resources to gather information on political figures to use in his “Confidential, Private” files with friend and partner, Associate Director Clyde Tolson (Armie Hammer). There are rumors that they were more than just friends, as the heir of Hoover’s estate some believe that Tolson was his domestic partner.

The story takes us from the past and the future and someplace in the middle while J. Edgar is dictating his story to a number of writers he uses to document the history of the FBI. He tells the revolving scribes about his many high adventures in the FBI, in cluding details of his acts of heroism and the hard work of starting the system we now know today as the FBI.

Most of it was fabricated to make him and his bureau more entertaining to sell some of the comic books he was advisor on. He felt that American youth was in love with the gangsters in the movies and he decided to wage a war of image and made the G-man the new focus in film and media. Unfortunately, it was at the cost of the reality of many of the things he claimed to have done.

Clint Eastwood does make a great picture. He has a great eye for capturing the figures form history that can be easily overlooked. He reminds me of the correspondents on This American Life. They all take ordinary things and make them into an interesting story. This movie looks great but it has a History Channel documentary feel.

The subject of this film has some interesting points but they seem to be overshadowed by the overall creepiness of the man behind the power and his unchecked and corrupt rule of the FBI. Eastwood’s choice of blending the past and the future did not seem to work as well in this film. It was hard to follow where we were at in the story. Is this the past? The present? Is this him reminiscing? Or are we seeing the events unfold?

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DiCaprio does a great job of wearing this persona like a costume. I forgot that it was him at a few points in the film. The age make up did a great job of transforming him through the story. He seems to be very vulnerable when his mother dies. Instead of being free from her tyranny he seems to be completely lost.

Helen Gandy (Naomi Watts) is fiercely loyal secretary and loves him in a familial way. Even up to the end she keeps J. Edgar’s secrets and shreds his personal and confidential files. I wonder it was out of loyalty or out of knowing how dangerous a weapon those files were, or both.

Those files were the only thing that saved him from the winds of political change. I can see where he needed to have them to keep control of his bureau. it also seemed like they became something more than just an insurance policy. They seemed to be a drug he couldn’t give up.

What historical figure should Clint Eastwood focus his next movie on? Who do you find interesting and under publicized?